Saturday 29 May 2010

Doctor Who, Series 5, Episode 9: Squeaky Bum Time.

DOCTOR WHO
"Cold Blood”
29/05/2010
BBC One

Whilst previous Who two-parters tended to start out well, or at least not totally crap (or in "The Time of Angels'" case just plain crap), they tend to then flop badly in the next episode. (Or get really crap in "Flesh & Stone".)

"Cold Blood", the second episode in Series 5's re-launch of the Silurians, bucks this trend by following a shit episode with an average episode. Yes, it's that impressive.

The good parts are, your intrepid (Wh)Ovine can report, surprisingly many. The character interactions are well written and performed, and the 'are we any better?' debate (wherein the viewer is asked to ponder whether humans are the worst monsters) is effectively handled too. Here both sides of the argument are put across, but the final word, care of the Doctor, leaves no doubt on the real message. Humanity has to learn to be a better species. Throw in some subtle digs at Malthusianism and racism and you have a surprisingly moral episode, for even if the present sees an opportunity wasted, a better future is predicted in a blatant no-tension-really sort of way.

Of course, there's a lot here that is a wasted opportunity. Silurian Elder Eldane (as played by Stephen 'Marvin The Android' Moore) is brought in clumsily and not enough is made of him. Likewise with last episode's vivisector Malokeh (Richard Hope), whose Miyazaki-style change of heart is a bit disjointed and his character wasted. Celeb guest star Meera Syal has very little to do that Amy Pond couldn't have done on her own, and while Neve McIntosh's warrior Silurian Alaya affects a Iago-worthy forked tongue and a rather scary death wish, her sister (also played by McIntosh) is simply a vengeance-crazed cardboard cut-out.

And no, it isn't a patch on 'Doctor Who & The Silurians'. Overall, it lacks consistency and is badly paced, even rushed. The subtleties of the original are 40 years' away from the sledgehammer approach of today and the introduction of Amy's Crack (fnarr!) is equally as heavy handed and blatant. It took six 30-minute episodes to tell a story that unfolded organically in 1970. 40 years later, it takes two hyperactive toddler episodes at 45 minutes each to just churn out a slapdash narrative. Let's hear it for progress.

Matt Smith does of course make some progress of his own in this one, beginning to ease into the role, even though he's still talking like Who X, and doesn't actually do very much again. Arthur Darvill's Rory remains hapless yet also displays a dignified and heroic side that's well performed. And while he snuffs it and then gets erased from history (as usual with Nu Who, it's the Doc's fault), you just know he's not gone for good - the character just works so well and has certainly earned his place on the TARDIS. Amy Pond/Karen Gillan? Eek. But she does show some depth FOR THE FIRST TIME EVER when her character loses Rory, then forgets him with equal poignance after he's been rubbed out. (It's that naughty Crack of hers again, I tell you.)

It could have been better, but avoided being worse. That's pretty good going by this series' standards.

WHOPOINTS 6

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